Soldiers, Hunters, Not Cowboys

In Soldiers, Hunters, Not Cowboys, a man’s evening with his ex-girlfriend unfolds amidst her reflections on the film The Searchers, setting the stage for a tense exploration of masculinity. When a catastrophic event strikes Toronto, the protagonist's journey across the chaos becomes increasingly violent and hallucinatory, blending Western and disaster movie tropes to examine the roots of modern male violence. The novel shifts from lively dialogue to profound introspection, offering a thought-provoking meditation on art, culture, and identity in the face of crisis.